The Night Editor, and boy-howdy am I glad I did. This, in my book, is just about perfect movie making (or screen writing, really). Starts like a shot, elegantly slips us an exposition mickey while we're catching our breath, then sets up a gauntlet of tense set-pieces that whittle down our cast of hard-bitten escaped cons hunting down buried loot. Great under-championed film noir. Best moment: two cops wander into a hostage situation in a roadhouse.