THE COOL SAVAGERY OF DON WINSLOW
Please forgive Future Me-But-Not-Me. He knoweth not…
How stale things got for a while there. How impoverished popular crime fiction was before Winslow broke through to the main stream. And what a breath of fresh air, what a cool breeze on the underground the Don’s arrival was. The spines of his books cracked like pull-tabs on pop, and if you finished one at bed-time, you woke and had some hair of the power of the dog that bit you, first thing in the morning. Cause –
Winslow’s breakout novel may’ve come out in 2010, but 2012 will be the year everybody caught on after the one-two combination of a high-profile movie adaptation by Oliver Stone (have you not saved the date? July 6, kids) and the prequel novel The Kings of Cool.
When I heard The Kings of Cool was coming and that it was going to be a prequel to Savages, I had mixed reactions: New Winslow? Awesome. The previous exploits of Ben & Chon & O? Do we need them? But The Kings of Cool is far more than a movie tie-in or an unnecessary sequel to the author’s most popular book, it’s the lynch-pin that holds together Winslow’s whole alternate So-Cal universe.
Yeah, Ben, Chon, O, Pacqu, Lado and more get their origins examined further in a 2005-set story-line, but We Were Hot Young Drug Lords: The Greatest Generation’s story is at least equally compelling – tying each of the leads in Savages to their spiritual and biological roots and even inviting second cousins like Bobby Z and Frankie Machine to the party.
The Kings of Cool, like Savages, reads like Elmore Leonard with ADD. It’s groovy, and nasty. Smooth, but also jumpy. It’s dangerous and very playful. It’s of its time, but it’s of many times (Are you at the bookstore? Pick it up and read chapter 243, yeah, there are over 300 chapters, for the Reader’s Digest condensed version of a generation’s forty-year journey from idealism to just-trying-to-deal-ism). The chapters cut-off in the middle of sentences, the format sometimes switches to a stripped-down screenplay, heightening the cinematic feel of story-telling, while the rest of it reads like a Benzedrine-jacked prose poem laced with
The Four Keys of Winslowism
The Off-Key: The familiar, but not quite, Big-Sur-Real World atmosphere and setting
The Metric Key: Which most of his books revolve around the sale, acquiring, transportation and cultivation of in various controlled substances.
The Loki: The Norse god of mischief, tricks or trouble who the rest of his characters seem to be channeling. They're the always-lit fuse fizzing and sparking beneath the placid surface of a Winslow book who you can count on to sooner or later jump off.
Don’s work has got heart. And guts. And vision. I beg you, Future Me-But-Not-Me, to invest in the classics and dismiss the classless. It's the alluring flash of that singular style that a lesser artist will not be able to wield that Future Me-But-Not-Me and other discerning readers of crime fiction are going to grow tired of seeing trotted out like Geronimo in drag for countless lesser battles and matinee performances by the smack-talkin word-slingers of tomorrow.
The kind of punks who think that war paint a Savage makes.