First I talked about my favorite Fuqua; 2009's Brooklyn's Finest. Follows what I like to think of a classic James Ellroy structure; three very different cops with different problems and motivations end up crossing paths with terrible results.
First we have Don Cheadle's quickly burning-out undercover whose handler (Will Patton) has promised him a major promotion and an end to undercover work if he betrays his best friend (a pretty engaged Wesley Snipes). Along the way he'll lose his soul.
Second - Ethan Hawke's hard-pressed officer who steals desperately needed money from a drug bust to help get his at-risk-pregnant wife (Lili Taylor) and kids out of their black mold infested shitbox row house into a place the air and water won't literally poison them. Along the way he'll lose his life and create some terrible collateral damage.
Third is Richard Gere's cowardly cop just trying to finish his time before retiring alive. He avoids confrontation at all cost and ignores some super shady shit before his latent conscience gets the better of him. Along the way he'll lose his skin.
Training Day wasn't Ayer's only 2001 credit - he also wrote the Point Break riff about an undercover cop infiltrating a ring gear-heads, The Fast & the Furious; which has spawned a franchise that's moved on from being concerned with stealing CD players to saving the fucking world one nitrous infusion at a time. And if you thought the he borrowed liberally from the surfer movie, you should hold up the script for Training Day next to James Ellroy's original screenplay, Dark Blue. Maaaaaybe a line or three of dialogue appear in both.
Dark Blue is a non-sports-themed Ron Shelton flick based on an Ellroy script re-written by Ayer starring Kurt Russell as a dirty cop about to face a reckoning. Set in L.A. in 1992, the country holding its collective breath awaiting the jury's verdict in the trial of the police officers caught on camera beating holy hell out of a pedestrian named Rodney King. We all know what's about to happen and it makes for a hell of a ticking clock device while Russell attempts both to solve some brutal murders and use the chaos to cover up some of his own dirt.
All this talk of Ellroy influences got me pissed off all over again at the news that we wouldn't be getting to see Jordan Harper's James Ellroy's L.A. Confidential on TV or any streaming service after all after this fuckin article came along to rub tabasco in my wounds. Shit shit shit.
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