Friday, December 15, 2017
While I'm hoping and guessing it means we get an extra-good Star Wars entry, I'm afraid that we get one less uniquely Johnson-esque picture or three or more in the future.
I enjoy a lot of the big franchise pictures, but man when I ask myself which I'd rather have happen - a Brett Ratner Star Wars and a Rian Johnson original or the other way around - sheeeeit, I'll take it the other way please.
And now there's talk (maybe it's a joke... it's a joke, right?) about Quentin Tarantino doing a Star Trek movie, and Martin Scorsese making a Joker origin picture for the DCU? Things that as a franchise fan might sound fun at first quickly turn to nervous chuckles when you consider the pace of their output and their mortality.
I was hoping Sam Raimi's turn doing Spider-Man was going to infuse a huge franchise with a weird sensibility, but... not so much. I do think it worked for Tim Burton's Batman and especially Batman Returns, which incidentally is one of my favorite Christmas movies.
We'll always have Looper.
Thursday, December 7, 2017
Because... all the thoughtfulness is appreciated and engaging, but the real value of these type of books is in collecting all the great artwork (poster art - cover art) in one place. If you don't have your own library of pulp novels or VHS/16mm grindhouse movies, you can still lose yourself in the garish garbage of the artwork and re-live your first awakening and attraction to working out anxieties via engaging narrative.
For me these books recall my favorite part of weekly trips to the grocery store with my mom - I'd get a nickel and walk by the newsstand taking in the western, fantasy, romance, crime and science fiction paperbacks with my tiny peepers on the way to the gumball machine, or visits to out of town cousins discovering the closet full of Robert E. Howard books, or countless hours spent wandering the aisles of video stores imagining the stories the pictures represented (because I was not going to be allowed to watch them).
And that's... an important thing to note.
Often the jacket art is more important in the long run than the books/films themselves. It's the cover design that sells us, grabs our attention and infects us with an itch, or rather enflames the itch we didn't know was already within... Regardless of how satisfying said book or film actually turned out to be, the awakening, the realization that we have an appetite is what inspires us to become active agents in our own evolution.
If we have a hunger... there must be a satisfaction out there somewhere.
If you visit my home you'll be able to browse my physical media - books, films, albums - but these types of books - these collections of artworks are among the most valuable objects I own.
A few favorites from my shelves...
Scott Adlerberg has a nice piece on Girl Gangs, Biker Boys, and Real Cool Cats at Lithub and if you're inclined to digitally ingest pulp art you'd do well to follow Christa Faust's or Will Viharo's social media platforms.
Monday, December 4, 2017
This picture of me holding a copy of his far superior Desperadoes probably doesn't make us square, but that's as close as it'll get.
It occurs to me you might not read westerns as often as you ought either. I think the mythic American West is fertile ground for crime fiction and the range cowboy is the probably the closest ancestor of the hardboiled private detective in the evolution of popular fable. As a fan of crime fiction I (and probably you) would most likely enjoy reading more westerns.
So... here's a few recentish ones I've enjoyed. Apologies if you're tired of me trotting out the same few titles every couple years (I'm not including titles by Cormac McCarthy or Larry McMurtry as those are the two authors cited in the Diaz interview, but I've read and enjoyed westerns by both and hope you have too).